Amarok - Mujer Luna

- Robert Santamaria / keyboards, Turkish saxophone in D and A, 12 string guitar, kanun, charango, autoharp, dulcimer, acoustic bas, accordeon, glockenspiel, marimba, derboukas, talking drum, tambourine, krabs, kalimba, vibraslap, Greek spoons, chiquitsi, castanets, rain stick, claps
- Victor Estrada / spanish guitar, electric bass
- Manel Mayol / flute, didgeridoo, backing vocals
- Mireia Sisquella / saxophone
- Carlos Galego / electric guitar, vocals
- Pau Zanartu / drums
- Marta Segura / lead vocals
- Robert Abella / drums
- José Walero / tabla
- Candela Casas / vocals
- Miguel Angel Ortin / saxophone, clarinet
- Eva Zapata & Cristina Morales / backing vocals

AMAROK (the Eskimo word for 'wolf') is a mainly acoustic duo from Catalona. It is the pet project of multi-instrumentalist (and palaeontologist) Robert Santamaria and classically trained vocalist Lidia Cerón. Their material explores new age, electronic, folk, ethnic and progressive sounds. Keyboard rhythm sequences are the basis for the calm, atmospheric melodies pictured by Cerón's peaceful Spanish, ENYA-like vocals. The band does not confine their musicality to their native folk elements, however, as they combine Middle-Eastern and North African textures as well as Medieval European Minstrel orchestrations with free jazz and lots of various world music elements.
Of their six albums released todate, "Mujer Luna" (2002) is their most progressive. Featuring a high level of instrumental sophistication, it is a complex yet pleasant combination of acoustic prog with keyboards and guitar, hinting at a fusion of ELP, CAMEL and KING CRIMSON. Their sixth album, "Quentadharken" (2004), more keyboard and electric guitar oriented, is a bit more neo than purely progressive.
AMAROK's music is quite an experience, their repertoire almost sounding like a compilation of ethnic prog bands. Their material should appeal to fans of ERIS PLUVIA, particularly the album "Mujer Luna".